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The PTSS collection

This website lists the works of art and objects of the Peyersche Tobias Stimmer-Stiftung (PTSS) of Schaffhausen. Most of the objects listed are on permanent loan to the Museum zu Allerheiligen or the Schaffhausen City Library.

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Devotionsbild der Familie Funk

Devotional picture of the Funk Family

Bernhard Strigel (about 1460–1528), um 1513 Oil and tempera on Oak panel,

Bernhard Strigel, son of the sculptor Ivo Strigel, was first mentioned in the Memmingen tax book in 1505. He was the principal painter for Emperor Maximilian I, of whom he painted several portraits, including the only one in his coronation insignia. In 1518 Strigel was elected master of the Mercer's' guild and the Memmingen council, where he also served as envoy for legal affairs. One of his main works is the family altar of St. Stephen in Mindelheim, donated in 1505 by the mercenary leader Ulrich Frundsberg and his wife Barbara Rechberg.
Urteil des Paris

Judgement of Paris

Lucas Cranach the elder (about 1553), workshop about 1525, um 1525 Oil and tempera on wood
Bildnis eines bärtigen Mannes

Portrait of a bearded man

Lucas Cranach the elder (about 1472–1553), 1527 Oil and tempera on Beech panel

Works by Lucas Cranach the Elder are among the important acquisitions made by the Stimmer Foundation. The Wittenberg painter ran a successful workshop that produced numerous altar paintings, religious and mythological motifs in addition to portraits. The intimate portrait of the unknown bearded man was probably intended for private use.
Bildnis Bürgermeister Alexander Peyer

Portrait of Bürgermeister Alexander Peyer

Hans Asper, 1554 Oil and tempera on Limewood panel

The Stimmer Stiftung acquired the representative portrait of its well known ancestor back in 1950. The Burgermeister had himself portrayed by the Zurich painter in 1554. On the sheet of paper in Peyer's hand, Asper left a unique personal dedication to his "dear and good friend".
Bildnis eines jüngeren Mannes

Portrait of a young man

Ambrosius Holbein (about 1494–about 1519), um 1519 Oil on wood

Ambrosius Holbein, brother of Hans Holbein the Younger (1497/98–1543), worked with the Schaffhausen painter Thomas Schmid (around 1490–1550/60) on the decoration of the main Hall of the St George monastery in Stein am Rhein during his journeymanship. The small circular picture is one of the very few paintings attributed to the Basel book illustrator, who died young.
Maria mit Kind und Traube (Traubenmadonna) (Restauriert)

Virgin and Child with grapes

Lucas Cranach the elder (about 1472–1553), um 1535-40 Oil on European Beech panel

Cranach's Madonna of the Grapes shows Mary with her son Jesus eating from a bunch of grapes. The motif anticipates Christ's passion. By dying on the cross, he forgave everyone their sins. The memory of the blood that was shed lives on in the church tradition of the Lord's Supper, during which the faithful take a sip of wine.

Lucas Cranach repeated such motifs again and again in his successful artist workshop. This enabled him to serve a wide variety of customers. The Schaffhausen version was probably intended as a devotional picture for a private setting. The winged snake, the certificate of authenticity from the Cranach workshop, proves its originality.

The Madonna of the Grapes by Lucas Cranach the elder has been in the Museum zu Allerheiligen since 1953 on permanent loan from the Peyer'sche Tobias Stimmer Foundation.
Bildnis Herzog Wilhelm IV. von Bayern

Portrait of Duke Wilhelm IV. of Bavaria

Barthel Beham (um 1502–1540), um 1533 Tempera on wood panel
Bildnis Maria Jacobaea, Gemahlin des Herzog Wilhelm IV. von Bayern

Portrait of Maria Jacobaea, wife of Duke Wilhelm IV. of Bavaria

Barthel Beham (about 1502–1540), 1534 Tempera on wood panel
Knabenbildnis aus der Familie Peyer

Portrait of a boy from the Peyer family

Johann Ulrich Schnetzler (1704–1763), 1746 Oil on canvas
Bildnis David Peyer

Portrait of David Peyer

Daniel Lindtmayer the younger (1552–1603/1607), attributed 1588, 1588 Tempera and oil on wood panel

The portrait of the merchant and judge David Peyer is the only one of five permanent loans from the Peyer Legate that survived the bombing of Schaffhausen on April 1, 1944, badly damaged. It was extensively restored in 1948 and 1978 and in some cases heavily retouched, which is particularly evident in the different appearance of the paint  on the face.
Bildnis Hans Ludwig Peyer-Seiler (1645 – 1741)

Portrait of Hans Ludwig Peyer-Seiler (1645 – 1741)

Dietegen Seiler (1693 – 1774), 1727 Oil on canvas

The painting was restored in 1981 by Hans Harder, Schaffhausen.
Bildnis Judith Peyer (1593-1659)

Portrait of Judith Peyer (1593-1659)

Unbekannt, 1648 Oil on canvas
Geburt Christi

Nativity

Unknown, 2. Hälfte 15. Jahrhundert Oil on wood

The painting was restored 1987-1988 
Aeneas und Anchises fliehen aus Troja (Kopie nach Federico Barocci)

Aeneas and Anchises fleeing from Troy (copy after Federico Barocci)

Johann Martin Veith (1650–1717), Anfang 18. Jh. Oil on canvas
Bildnis Dr. med. Hermann Peyer

Portrait of Dr. med. Hermann Peyer

Richard Emil Amsler (1859–1934), 1915 Oil on canvas
Bildnis Johann Jakob Maurer

Portrait of Johann Jakob Maurer

Unknown/ Jacob Maurer (1737–1780), earlier attribution, um 1770 Oil on wood
Bildnis Hans Kaspar Peyer

Portrait of Hans Kaspar Peyer

Unknown, um 1640 Oil on canvas
Bildnis des 6-jährigen Johann Bernhard Peyer

Portrait of Johann Bernhard Peyer at age 6 (1847-1933)

Jérôme Hünerwadel (1829–1859), 1853/54 Oil on canvas
Hans Friedrich Peyer-Im Thurn mit seiner Familie

Hans Friedrich Peyer-Im Thurn, Obherr zur mittleren Fels, with his family

Conrad Meyer (1618–1689), 1653 Oil on canvas
Bildnis Heinrich Peyer-von Schmid

Portrait of Heinrich Peyer-von Schmid (1529 – 1574)

Unknown, nach 1574 Oil on canvas

Painting restored by Barbara Bührer, Neuhausen in 2009
Bildnis Johann Jakob Stokar

Portrait of Johann Jakob Stokar (1615 – 1681) at the age of 65

Unknown, nach 1681 Oil on canvas

Painting restored by Barbara Bührer, Neuhausen  in 2009
Bildnis David Peyer-Ziegler

Portrait of David Peyer-Ziegler (1622 – 1691) at the age of 65

Daniel de Savoye (1654 – 1716) ascribed to, 1686 Oil on canvas

This painting is the pendant to the portrait of Anna Katharina Peyer-Ziegler (1628-1690)
Bildnis Anna Katharina Peyer-Ziegler

Portrait of Anna Katharina Peyer-Ziegler (1628 – 1690)

Daniel de Savoye (1654 – 1716), ascribed to, 1686 Oil on canvas

Dieses Gemälde ist das pendant zum Porträt von David Peyer-Ziegler (1622 – 1691) at the age of 65.
Bildnis Dr. iur. Hans Conrad Peyer

Portrait of Dr. of law Hans Conrad Peyer (1569 – 1623)

Unknown, um 1620 Oil on canvas

This painting was restored in 1955 by Hans Harder, Schaffhausen