- Läublin II., Hans Jacob [Jakob]
- Murer, Josias
- Ammann, Johann Conrad
- Ammann, Hans Heinrich
- Ammann, Christoph
- Amsler, Richard
- Asper, Hans
- Beham, Bartel
- Bluntschli, Niklaus
- Bosshard und Sohn, -
- Brun, Lienhard
- Cranach der Ältere, Lucas
- Erhart, Gregor
- Eriskirch, Meister von
- Erlinger, Georg
- Fischart, Johann
- Frischlin, Nicodemus
- Hans Conrad, Flach
- Holbein, Ambrosius
- Holtzwart, Matthäus
- Howes, John
- Hurter, Johann Heinrich
- Häfelin, Emil
- Hünerwadel, Jérôme
- Kübler, Werner der Jüngere
- Lang, Hieronymus der Ältere
- Lang, Hans Caspar der Ältere
- Lang, Daniel
- Lindtmayer, Felix der Jüngere
- Lindtmayer, Daniel der Jüngere
- Meyer, Conrad
- Moser, Andreas
- Müller, Theobald
- Oschwald, Hans Georg
- Ott, Hans Georg I.
- Panvinio, Onofrio
- Peyer, Hans
- Peyer, Johann Ludwig
- Peyer, Johann Jakob
- Peyer, Johann Friedrich
- Pfau, Hans Heinrich III.
- Pröll, Thomas
- Reusner, Nikolaus
- Schnetzler, Johann Ulrich
- Schärer, Johann Jacob
- Seiler, Dietegen
- Speissegger, Hans Heinrich
- Spleiss, Hans Martin
- Stalder, Ulrich
- Stimmer, Tobias
- Stimmer, Gideon
- Stimmer, Abel
- Strigel, Bernhard
- Stüdlin, Hans Caspar
- Ulmer, Johann Conrad
- Ulmer, Hans Ulrich
- Umkreis von Stimmer, Tobias
- Unbekannt
- Veith, Johann Martin
- Wüscher, Hans Adam I.
- de Savoye, Daniel
The PTSS collection
This website lists the works of art and objects of the Peyersche Tobias Stimmer-Stiftung (PTSS) of Schaffhausen. Most of the objects listed are on permanent loan to the Museum zu Allerheiligen or the Schaffhausen City Library.
Devotional picture of the Funk Family
Bernhard Strigel (about 1460–1528), um 1513 Oil and tempera on Oak panel,Bernhard Strigel, son of the sculptor Ivo Strigel, was first mentioned in the Memmingen tax book in 1505. He was the principal painter for Emperor Maximilian I, of whom he painted several portraits, including the only one in his coronation insignia. In 1518 Strigel was elected master of the Mercer's' guild and the Memmingen council, where he also served as envoy for legal affairs. One of his main works is the family altar of St. Stephen in Mindelheim, donated in 1505 by the mercenary leader Ulrich Frundsberg and his wife Barbara Rechberg.
Judgement of Paris
Lucas Cranach the elder (about 1553), workshop about 1525, um 1525 Oil and tempera on woodPortrait of a bearded man
Lucas Cranach the elder (about 1472–1553), 1527 Oil and tempera on Beech panelWorks by Lucas Cranach the Elder are among the important acquisitions made by the Stimmer Foundation. The Wittenberg painter ran a successful workshop that produced numerous altar paintings, religious and mythological motifs in addition to portraits. The intimate portrait of the unknown bearded man was probably intended for private use.
Portrait of a young man
Ambrosius Holbein (about 1494–about 1519), um 1519 Oil on woodAmbrosius Holbein, brother of Hans Holbein the Younger (1497/98–1543), worked with the Schaffhausen painter Thomas Schmid (around 1490–1550/60) on the decoration of the main Hall of the St George monastery in Stein am Rhein during his journeymanship. The small circular picture is one of the very few paintings attributed to the Basel book illustrator, who died young.
Virgin and Child with grapes
Lucas Cranach the elder (about 1472–1553), um 1535-40 Oil on European Beech panelCranach's Madonna of the Grapes shows Mary with her son Jesus eating from a bunch of grapes. The motif anticipates Christ's passion. By dying on the cross, he forgave everyone their sins. The memory of the blood that was shed lives on in the church tradition of the Lord's Supper, during which the faithful take a sip of wine.
Lucas Cranach repeated such motifs again and again in his successful artist workshop. This enabled him to serve a wide variety of customers. The Schaffhausen version was probably intended as a devotional picture for a private setting. The winged snake, the certificate of authenticity from the Cranach workshop, proves its originality.
The Madonna of the Grapes by Lucas Cranach the elder has been in the Museum zu Allerheiligen since 1953 on permanent loan from the Peyer'sche Tobias Stimmer Foundation.
Portrait of Duke Wilhelm IV. of Bavaria
Barthel Beham (um 1502–1540), um 1533 Tempera on wood panelPortrait of Maria Jacobaea, wife of Duke Wilhelm IV. of Bavaria
Barthel Beham (about 1502–1540), 1534 Tempera on wood panelNativity
Unknown, 2. Hälfte 15. Jahrhundert Oil on woodThe painting was restored 1987-1988
Portrait of Johann Jakob Maurer
Unknown/ Jacob Maurer (1737–1780), earlier attribution, um 1770 Oil on woodDesign for wall frescoes at the house „Zun drei Ständen“ (Herrenacker 10, "Peyerburg")
Daniel Lindtmayer the younger (1552–1603/1607) 1587, 1587 Pen and ink, PaperNativity
Tobias Stimmer (1539–1584) 1565, 1565 Ink wash on paperThis sheet is one of around a hundred surviving drawings by Stimmer. It testifies to his artistic mastery in dealing freely with a traditional subject. The rather perky depiction of the naked baby Jesus is original. This is touchingly human and biblical at the same time: The Son of God who became man is made real.
Self-portrait
Tobias Stimmer (1539–1584), um 1563 Chalk, Ink and watercolour on paperIn 1991, after years of negotiation, the Stimmer Stiftung managed a coup with the purchase of this small watercolour drawing. Thus, was the Stiftung able to acquire one of the rare autograph works by Tobias Stimmer (which was also a self portrait). The self-confident expression of the young artist is unparalleled at a time when the individual and self-portraiture were becoming increasingly important.